Everything analog is cool again. The revival started with vinyl records, and in the past couple years we've seen it expand to encompass VHS and even cassette tapes. But perhaps the biggest analog format of all - film photography - has taken longer to build momentum. In the last year, though, interest has been increasing dramatically, and manufacturers are taking notice.
New York has emerged as an epicenter of the new film photo scene, and we recently sat down with two of the movement's biggest figures - Kyle Depew of Brooklyn Film Camera and Geoff Berliner of the Penumbra Foundation - to learn more about why young people are snapping up vintage cameras, reviving once-defunct film brands and diving back into the darkroom.